Sarah Falkner's novel Animal Sanctuary won the 7th Starcherone Prize

From Starcherone Books:

Monday, August 23, 2010

Sarah Falkner wins 7th Starcherone Prize


Sarah Falkner's Animal Sanctuary, a wild and mysterious novel of multiple characters and episodes structured around the life and career of a fictional actress and animal rights activist, is the winner of the 7th Starcherone Fiction Prize. The manuscript was selected by novelist and short story writer Stacey Levine.

Falkner, who lives in Brooklyn, will receive $1,000 and publication in Starcherone Books' 2011-12 season.

A total of 216 manuscripts had been submitted to the prize competition. Stacey Levine made the selection from among three finalist manuscripts. Two of the initial finalists withdrew from the competition. The runners-up were:

(second place) Barbara de la Cuesta, Rosamundo, a novel

(third place) Laurie Glover, This Fair Paper, This Goodly Book, a novel


Animal Sanctuary is a challenging, readable, powerful, and mysterious novel. The story - not a single plot, but multiple, peripherally connected episodes and discourses - concerns an American actress, Kitty Dawson, who stars in two movies by a famous (and famously obscure) British director, Albert Wickwood, both having animal disaster themes. Kitty then goes on to make a great many other pictures with animal themes, and to found in the 1970s a sanctuary for big cats that rich people decide first to have as pets, then abandon. Later, Kitty's only son, Rory, raised in the animal sanctuary and as a young teen the lover of a renowned Austrian big cat trainer, becomes an installation and performance artist whose work incorporates animals & animal themes, as well as attempts to critique and get outside of institutions. Other plotlines concern a would-be revolutionary who also serves as Kitty's body double in a film in Africa, the career of a cinematographer whose specialization is "shooting" animals, and reflections on understanding the ethics of human-animal relationships. The book as a whole becomes a series of meditations on making one's own meanings from within those structures others place us in - the effort of striving for freedom, the enclosures that keep us from attaining it, and yet the beauty and necessity of such efforts. Throughout, Falkner's prose is smart, versatile, and frequently beautiful.

In commending Falkner's achievement in the novel, Stacey Levine said: "Sarah Falkner creates this work with a deeply-hued palette, incorporating specific notions of film theory, film stardom, visual art, human relationships (which in this text have no magical edge and are burdened by insanely difficult moments), and the ways in which animals are held under human control. Animal Sanctuary is an intensely focused, ambitious work with a wonderfully insistent sense of obsession. The novel brings together weirdly disparate elements in the same surprising way that life does. Returning continuously and seemingly helplessly to animals as a point of reference, Animal Sanctuary suggests that obsession may be the only way of pinning down the truth. This is a rich, interesting, multidimensional book that knows fragility and maps it."

Full information at: http://starcherone.blogspot.com/

(hi)story labor(atory) under construction

(hi)story labor(atory)

applied arts: coordinated environments and rites for living and healing
onsite workshop and clinic

sartorial goods by Vilma Maré
healing arts by Sarah Falkner, LMT
artifacts from the Royal Excavation Corps

624 Warren Street - Hudson, NY 12534 - 518.291.4779
www.historylaboratory.net
Thursday, Friday, Saturday & Sunday 11-6
clinic treatments: additional hours by appointment


Opening in August!

(hi)story labor(atory) is a collaborative environment for fine, applied and healing arts objects and projects. One can purchase high-concept hand-crafted utilitarian and decorative clothing and objects, receive healing treatments, and observe the artists at work, as well as attend the occasional formal performance or ritual. In addition to the creations, installations and presences of the three proprietors, sequential presentations involving favorite comrades and co-conspirators will appear.

(hi)story labor(atory) provides a model for and assistance in creating a personal, comprehensively-integrated environment. (hi)story labor(atory) counts among its inspirations historical interdisciplinary production communities such as the Wiener Werkstätte, in which all facets of quotidian living were carefully considered and addressed to comprise the Gesamtkunstwerk-- “total artwork” -- existence as a wholly unified work of art, all its components consciously designed.

(hi)story labor(atory)’s fusion of utilitarianism and aestheticism is conjoined with ideals of environmental and social sustainability; desires to make beauty, healing and elegant personal ritual more accessible to more people; and a general inclination towards the “revolution of everyday life,” to be achieved through a sense of purpose, community, craft and experimentation.

Fellini's Underwear Resurfaces

J. Williams: "In 2002, David Meyers and I were shopping in a thrift store in Indianapolis when one of us-- I forget who-- spotted a pair of white cotton underwear with FELLINI (an Italian clothing company) emblazoned on the waistband. Thinking of the film director, we knew we had a brilliant piece of unintentional art on our hands. ... Thus was born 'Fellini's Underwear,' a show at Utrillo's Gallery in Indianapolis. The show consisted solely of the underwear mounted on a piece of velvet-covered plywood. Sarah Falkner wrote an original essay for the show. Here is a picture of the underwear and the text of the flyer."